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Created on 2017-07-16 00:51:04 (#3243601), never updated
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| Name: | Vanitas |
|---|
"I have of late- but wherefore I know not- lost all my
mirth, forgone all custom of exercises; and indeed, it goes so
heavily with my disposition that this goodly frame, the earth,
seems to me a sterile promontory; this most excellent canopy, the
air, look you, this brave o'erhanging firmament, this majestical
roof fretted with golden fire- why, it appeareth no other thing
to me than a foul and pestilent congregation of vapours. What a
piece of work is a man! how noble in reason! how infinite in
faculties! in form and moving how express and admirable! in
action how like an angel! in apprehension how like a god! the
beauty of the world, the paragon of animals! And yet to me what
is this quintessence of dust? Man delights not me- no, nor woman
neither, though by your smiling you seem to say so." -Hamlet, Act 2, Scene 2
"I see the jewel best enamelled
Will lose his beauty; yet the gold bides still,
That others touch, and often touching will
Wear gold: and no man that hath a name,
By falsehood and corruption doth it shame.
Since that my beauty cannot please his eye,
I'll weep what's left away, and weeping die." -Comedy of Errors, Act 2, Scene 1
"Be not too tame neither; but let your own discretion be your
tutor. Suit the action to the word, the word to the action; with
this special observance, that you o'erstep not the modesty of
nature: for anything so overdone is from the purpose of playing,
whose end, both at the first and now, was and is, to hold, as
'twere, the mirror up to nature; to show Virtue her own feature,
scorn her own image, and the very age and body of the time his
form and pressure." -Hamlet, Act 3, Scene 2
"Poor broken glass, I often did behold
In thy sweet semblance my old age new born;
But now that fresh fair mirror, dim and old,
Shows me a bare-boned death by time out-worn:
O, from thy cheeks my image thou hast torn,
And shivered all the beauty of my glass,
That I no more can see what once I was!" -R*pe of Lucrece
mirth, forgone all custom of exercises; and indeed, it goes so
heavily with my disposition that this goodly frame, the earth,
seems to me a sterile promontory; this most excellent canopy, the
air, look you, this brave o'erhanging firmament, this majestical
roof fretted with golden fire- why, it appeareth no other thing
to me than a foul and pestilent congregation of vapours. What a
piece of work is a man! how noble in reason! how infinite in
faculties! in form and moving how express and admirable! in
action how like an angel! in apprehension how like a god! the
beauty of the world, the paragon of animals! And yet to me what
is this quintessence of dust? Man delights not me- no, nor woman
neither, though by your smiling you seem to say so." -Hamlet, Act 2, Scene 2
"I see the jewel best enamelled
Will lose his beauty; yet the gold bides still,
That others touch, and often touching will
Wear gold: and no man that hath a name,
By falsehood and corruption doth it shame.
Since that my beauty cannot please his eye,
I'll weep what's left away, and weeping die." -Comedy of Errors, Act 2, Scene 1
"Be not too tame neither; but let your own discretion be your
tutor. Suit the action to the word, the word to the action; with
this special observance, that you o'erstep not the modesty of
nature: for anything so overdone is from the purpose of playing,
whose end, both at the first and now, was and is, to hold, as
'twere, the mirror up to nature; to show Virtue her own feature,
scorn her own image, and the very age and body of the time his
form and pressure." -Hamlet, Act 3, Scene 2
"Poor broken glass, I often did behold
In thy sweet semblance my old age new born;
But now that fresh fair mirror, dim and old,
Shows me a bare-boned death by time out-worn:
O, from thy cheeks my image thou hast torn,
And shivered all the beauty of my glass,
That I no more can see what once I was!" -R*pe of Lucrece
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